TheSixth Bandung Contemporary Art Award (BaCAA) 2019. Top 15 Finalists Artworks Showcase. Lawangwangi ARTSociates Jl. Dago Giri No. 99 Warung Caringin, Bandung Contemporary Art Award (BACAA) 2017 . A Group Exhibition. Lawangwangi ARTSociates Jl. Dago Giri No. 99 Warung Caringin, Mekarwangi Bandung 40391. Jan 11 â Jan 15, 2017.
Panitialomba Bandung Contemporary Art Award 2015 menerima 311 karya seniman dari berbagai daerah di Indonesia. Berlangganan Login Sabtu, 23 Oktober 2021
Theartworks of HOCK E AYE VI EDGAR HEAP OF BIRDS include multi- disciplinary forms of public art messages, large scale drawings, Neuf Series acrylic paintings, prints, works in glass and monumental porcelain enamel on steel outdoor sculpture. He was recently named an USA Ford Fellow in 2112 and Distinguished Alumni, University of Kansas in 2014.
Jan2017 - Apr 2017 4 months. Kuala Lumpur, Federal Territory of Kuala Lumpur, Malaysia Library Intern S.14 Art Space & Library Volunteer for the Bandung Contemporary Art Award #4 (Bandung, Indonesia) View Yasmine's full profile See who you know in common Get introduced Contact Yasmine directly
TheAsian Conference on Arts and Humanities 2018 provides an opportunity for academics, artists, writers and students to explore the challenges of multi-faceted and interdisciplinary rethinkings of the ways we imagine, articulate and work with centres. Issuu reader embeds.
Bornin Chiba, Japan, in 1980. Kondoh graduated from Tama Art University with a BA in Graphic Design in 2003. Her work spans various mediaâanimation, manga, drawing, paintingâand has been exhibited internationally. She has earned fundings from the Japanese Agency for Cultural Affairs (Bunka-cho), the Pola Art Foundation and lives and works
OZclusiveTer-Friendly di OZ Radio Bandung Friendly Music Award 2017 "Pamit" sebagai Lagu Ter-Friendly di OZ Radio Bandung Friendly Music Award 2017; Favorite Male Singer di Choice; Penyanyi Favorit di Indonesia Kids Choice Awards 2017 Global TV; Male Singer of The Year- Indonesia Choice Awards (ICA) Netmedia
11am Saturday 8 May. 2021. Join curator Saskia Scott and exhibiting artist Anna Madeleine Raupach in conversation. Saskia and Anna will discuss the ideas behind Heat Map and the role of art in the anthropocene.. Hear from Anna about the ideas that underpin her work, and from Saskia about the process of curating the exhibition.
Bandung March 2018; IEOM 2017 Bogota Marriott Hotel October 25-26, 2017. IEOM 2017 UK UWE Business School, Bristol July 24-25, 2017. IEOM 2017 Morocco Sofitel Hotel Rabat April 11-13, 2017. IEOM 2016 Detroit Lawrence Tech Campus September 23-25, 2016. IEOM 2016 Malaysia JW Marriott KL Hotel March 8-10, 2016. IEOM 2016 Detroit Lawrence Tech
Shewon an acquisition award at the 2016 Mornington National works on Paper Award, the 2015 Cayte Latta Award for Visual Arts, the 2013 Redlands Art Prize Audience Award, the 2012 Albury Art Prize, the 2009 Fisher's Ghost Award, the 2009 Screengrab International New Media Art Award, and with boat-people.org, the 2004 WINK Award.
kNXcylO. Member / Band
SENI â The Bandung Contemporary Art Awards BaCAA, Penganugerahan seni yang bertujuan untuk merangsang perkembangan seni rupa kontemporer di Indonesia dan berupaya meningkatkan partisipasi para peraih anugerah seni ini dalam kancah seni rupa Internasional. Penghargaan ini ditujukan bagi seniman muda berbakat yang aktif memamerkan karya seninya baik itu di galeri seni, ruang publik, atau ruang-Âruang seni baru dengan program yang jelas dan baik. BaCAA 01, 02, 03, 4 telah sukses diselenggarakan dan memberikan sorotan yang lebih besar bagi para seniman muda yang terpilih sebagai finalis. Peraih BaCAA sebelumnya telah menerima hadiah berupa uang tunai dan sebagian lainnya mendapatkan kesempatan untuk melakukan residensi seniman/kunjungan seni guna memperoleh pengalaman di lingkungan baru sebagai bagian dari penghargaan yang mereka terima, dan memperkaya perjalanan artistik mereka. Sebuah kolaborasi dengan Centre Intermondes, La Rochelle, Perancis telah mengawali program pertukaran residensi ini, yang berhasil mengirimkan seniman-Ââseniman dengan karya terbaik BaCAA sebelumnya untuk mengikuti program residensi selama tiga 3 bulan disana. ArtSociates dan Lawangwangi Creative Art Space kini dengan bangga mengumumkan pelaksanaan BaCAA 05 yang akan diselenggarakan kembali pada 2017, sesuai rencana penyelenggaraannya 2dua tahun sekali yang diputuskan pada BaCAA4. Anugerah ini akan dilaksanakan pada Oktober 2017, berupa pemberian anugerah dan pameran karya-Ââkarya seni yang terpilih sebagai finalis. Anugerah seni ditetapkan untuk diberikan kepada seniman-Ââseniman muda Indonesia. Penghargaan ini diharapkan dapat membantu proses kekaryaan dan pengembangan karya seni rupa kontemporer Indonesia, dan memberikan peluang untuk berpartisipasi dan bersaing di tingkat internasional melalui kesempatan program residensi. Pemenang dan Penghargaan Pemenang BaCAA 05 akan diumumkan pada 5 Oktober 2017. Pemenang kali ini akan diberikan hanya kepada tiga 3 karya seniman terbaik; Satu seniman terbaik akan mendapatkan uang tunai sebesar Rp. seratus juta rupiah, lalu satu seniman terbaik akan mendapatkan satu 1 kesempatan program residensi ke luar negeri selama 3 tiga bulan, dan satu seniman terbaik lainnya mendapatkan kesempatan Art Trip. Hadiah program residensi seniman ini mencakup biaya tiket pesawat pulang-Ââpergi, penginapan, biaya hidup, biaya material produksi kekaryaan dalam jumlah yang masuk akal, dan biaya untuk pameran tunggal sebagai hasil akhir program residensi. Hadiah program Art Trip mencakup biaya tiket pesawat pulang-Âpergi, akomodasi 1 minggu, dan uang saku sebesar 1000 USD. Persyaratan Seniman muda Indonesia Individual/Kelompok yang aktif berkarya sebagai perupa. Usia maksimal seniman 40 tahun Desember 2017. Mempunyai pengalaman berpameran baik itu kelompok/tunggal dalam tiga 3 tahun terakhir. Memenuhi persyaratan aplikasi pendaftaran berupa isian formulir yang disediakan, lampiran Foto/Video karya seni yang diikutsertakan, konsep karya, foto diri, profil singkat & CV seniman. Menyetujui tahapan dan aturan main penganugerahan seni BaCAA5 yang berlaku. Tema Tidak ada spesifik tema untuk anugerah ini, konsep berkarya setiap seniman cukup longgar, tapi target kekaryaan yang terpilih adalah karya yang mempunyai ide, konsep/deskripsi , produksi karya yang baik dan berkaitan sangat kuat antara konsep dan hasil akhir kekaryaannya. Prosedur dan Peraturan Karya-Âkarya seni yang dikirimkan dinilai oleh sang seniman atau kelompok seni peserta sebagai karya-Âkarya seni terbaik yang dibuat dalam dua tahun terakhir sebelum pengumuman anugerah ini. Dalam hal anugerah yang kelima ini, karya-Âkarya seni tersebut haruslah minimal dibuat pada 2015/2016 Februari 2017. Karya-Ââkarya seni ini dimiliki oleh sang seniman atau kelompok seniman dan bersedia untuk di jual. Setiap seniman atau kelompok diizinkan mengirimkan paling banyak satu 1 karya. Setiap karya dua dimensi, ukurannya tidak melebihi 6m2 dimensi maksimalnya, misalnya, 2mx3m; 1,2mx5m; 4mx1,5m Setiap karya tiga dimensi, tingginya tidak melebihi 3m, sementara lebar x dalamnya tak melebihi 3m2 contoh dimensi maksimumnya misalnya 3mx2mx1m; 3mx2mx1,5m Durasi setiap karya video tak melebihi 10 menit. Setiap karya dengan Instalasi Seni maupun peruntukan di ruang publik juga dapat diikutsertakan, dengan syarat ukuran maksimum tidak lebih dari 3 m 3 m x 3 m x 3 m Setiap karya harus di kemas dalam peti yang aman untuk keselamatan pengirimannya. Dengan mengirimkan karya ke kompetisi ini, sang seniman menyatakan setuju dengan peraturan anugerah ini. Untuk mengikuti proses praseleksi kompetisi ini, seniman harus melakukan registrasi onlline dengan membayar biaya pendaftaran sebesar Rp. dan Rp. seniman, lalu melengkapi kelengkapan persyaratan aplikasi keikutsertaan. Aplikasi karya hanya dilakukan secara online pada website dengan mengikuti tahapan pengisian formulir registrasi, dan melampirkan persyaratannya pada folder aplikasi yang telah disediakan di website tersebut. Khusus untuk keterangan foto karya, harap diberikan keterangan foto âNama-Âseniman+judul-Âkarya+tahun+medium+ukuran tinggixlebar atau tinggixlebarxdalamâ, contoh Nurhayati_Memorabilia1_Instalasi Media Campur_ 2014_2mx1mx20cm, apabila karya video perlu ditambahkan lampiran foto/still image dari karya video tersebut dengan keterangan karya contoh Asep Jaya_familyportrait_video_2menit_edisi1dari3_2016. Deskripsi atau gambaran singkat karya tak boleh lebih daripada 300 kata, mengacu pada konsep yang menggerakkan sang seniman untuk membuat karya tersebut. Dengan berdasarkan foto dan portofolio seniman, Dewan Juri akan memilih sebanyak-Ââbanyaknya tigapuluh 30 peserta yang akan masuk pada tahap Semi-ÂâFinalis dan meminta mereka mengirimkan karya mereka kepada penyelenggara untuk penjurian tahap penyeleksian Finalis. Tenggat Pendaftaran dan Pengajuan Karya Registrasi awal dapat dilakukan selambat-Âlambatnya pada 26 Mei 2017 untuk kemudian dapat melakukan tahap selanjutnya untuk aplikasi foto karya seni, deskripsi singkat karya, dan portofolio seniman yang harus sudah dilampirkan pada website selambat-Ââlambatnya 12 Agustus 2017. Sebanyak-Âbanyaknya tigapuluh 30 karya seni terpilih harus telah diterima oleh penyelenggara paling lambat 12 September 2017 Juri Anggota Dewan Juri kompetisi ini akan bertindak sebagai anggota juri terpilih setiap tahunnya. Untuk mendorong perkembangan anugerah seni ini dan menjadi bagian dari peristiwa seni internasional, Dewan Juri berikutnya akan dibentuk dengan mempertimbangkan rekomendasi dari Dewan Juri sebelumnya. Anggota Dewan Juri kali kelima ini adalah Agung Hujatnikajennong Kurator Seni Carla Bianpoen Jurnalis Seni Susan Baik Pemilik Galeri BAIK ART, LA, USA Valentine Willie founder VWFA, Creative Director Ilham Gallery KL Malaysia Wiyu Wahono Kolektor Seni Pengumuman dan Pameran Pengumuman hasil seleksi 15 karya seni akan diterbitkan di akun media sosial resmi BaCAA5, media cetak dan online, dengan pemberitahuan kepada sang seniman selambat-Ââlambatnya 31 Agustus 2017; nama pemenang akan tetap dirahasiakan dan diumumkan saat pembukaan pameran. Ke-Â15 karya seni yang terpilih akan dipamerkan di Lawangwangi Creative Space, Bandung, pada 5 Oktober â 5 November 2017. Penjualan & Lelang Karya Ke-Â15 karya seni akan dijual dengan sistem Lelang tertutup dimana calon pembeli atau kolektor akan memberikan harga pada setiap karya yang ingin dibelinya sesuai harga kisaran yang telah ditentukan. Kisaran harga karya diketahui dan disepakati sebelumnya oleh finalis. Setiap finalis akan diberikan surat kontrak kerjasama selama paling sedikit satu 1 tahun. Bagi hasil seniman dan penyelanggara sebesar 50 50, dimana seniman mendapatkan 50% dari hasil penjualan melalui lelang dan penyelenggara mendapatkan 50% yang akan dimasukkan dalam dana sumbangan endowment fund yang didedikasikan untuk penyelenggaraan dan keberlanjutan BaCAA selanjutnya. ArtSociates Lawangwangi Creative Space Jl. Dago Giri 99, Warung Caringin Mekarwangi, Bandung, 40391 Indonesia Mobile +62 85 95 65 72344 FB fanpage Bandung Contemporary Art Awards Instagram ba_caa Twitter bacaa_ Youtube Bandung Contemporary Art Awards
On residencies, Bandung Contemporary Art Award and ARTJOGBy Ian Tee Etza Meisyara. Photo by Lawangwangi Creative Space. A&M's Fresh Faces is where we profile an emerging artist from the region every month and speak to them on how they kick-started their career, how they continue to sustain their practice and what drives them as an artist. Read our profile on Indonesian artist Etza Meisyara you talk about your background? And at what point in your life did you decide to pursue a career in art?Music has been my hobby since I was a child. Before I was interested in fine arts, I made music and wrote songs in a professional capacity, doing freelance work for commercials and independent short films. In Bandung, I've performed at various music events as a guitarist, singer and composer. In 2009, I attended the Intermedia Art Studio programme at Bandung Institute of Technology ITB where my fascination in new media art I cannot say exactly when I decided to pursue a career in art, the first work I made after graduation is a reminder of the reason why. The piece is titled 'Iqra / Baca' and it was born out of my interactions with a visually impaired woman. Our dialogues were transferred to a braille plate which I made a charcoal rubbing on. The dots that appeared then became musical notations and through this process we collaborated on the composition. The experience made me aware of the issue of accessibility and the importance of being sensitive to others. It pushed me to develop a humanist side to my interests in technology and new media. Etza Meisyara in collaboration with Invisible Flock & British Council, 'Aurora Project', 2018, site-specific installation at Toxteth Reservoir Liverpool, UK. Image courtesy of Invisible Flock. Could you share how youâve maintained your practice after graduation? What are the important factors that spurred you on?Residencies are significant as they challenge me to sharpen my ideas after graduating. I had the opportunities to gain new experiences through my time in Singapore, Japan, Iceland, Germany, France, and the United Kingdom. One particularly ambitious project was a collaboration with Mama Choir, an immigrant community in Liverpool. I recorded the members' voices as they spoke up about issues they face and how conflict has affected their lives. Thereafter, I created a musical composition out of the recording which aimed to express the tones of emotion in their story. This rhythm of tragedy and hope was the ambient sound for 'AURORA' 2018, an artistic production presented at Toxteth Reservoir in from a wide range of their backgrounds, artistic skills and knowledge are brought together in such collaboration projects. The element of social engagement also introduced me to a variety of perspectives. While it is important to experiment with new mediums and integrate technical skills into the work, I also wanted to convey a sense of humanity and speak about the many problems in our world. Etza Meisyara, 'Passing By', 2018, exhibition installation view at Lawangwangi Creative Gallery, Bandung, Indonesia. Image courtesy of Lawangwangi Creative Space. How did the opportunity for your first solo show come about? What was the process like preparing for it?The opportunity for my first solo exhibition at Lawangwangi Creative Gallery came after I became one of Bandung Contemporary Art Award BaCaa winners in 2017. The award programme is supported by Lawangwangi Creative Space and ArtSociates, and this competition happens once every two years. Prior to winning the prize, I participated in group exhibitions at the space and ArtSociates founder Mrs. Andonowati had been tracking my practice. I have been officially represented by them since 2018. For my first solo show, I presented 35 etchings. It was the first time I exhibited works in this medium, which I was introduced to during my studies in Braunschweig, Germany. It is fascinating how the copper surface transforms after coming in contact with certain chemicals. Like emotions, the process of oxidation on the plate cannot be controlled. These etchings feature rustic landscapes and old buildings, and the mood evoked is a sense of melancholia I felt on my lone adventures in foreign places. For me, creating art is like working on a musical composition, following the rhythm of has been a mentor or an important artistic influence? And why? One of my key influences is the sound artist Christine Sun Kim. As a deaf person, she explores ways to experience sound beyond the aural impact it has on our ears. A range of vibrations and frequencies come into play in her work through the use of transducers, audio speakers, piano wires, helium balloons, and even her own breath. I am interested in artists who expand our sensory capabilities and in Christine's work, she thinks about sound conceptually as a form of social currency. Etza Meisyara, 'Iqra Baca' detail, 2013, mixed media installation. Image courtesy of artist. What was one important piece of advice you were given?This isn't from anyone in particular but I've always found it important to pay attention to and understand our environment through all the senses. This influences how I create my work and live my life as well. The universe has its own ways of communicating to us even if all we can hear is silence. It gives us signals whenever danger is ahead. For example, a thunderbolt reverberates before a big rain; or animals pick up frequencies and escape to higher ground ahead of a volcanic eruption or tsunami. I created a work titled 'Garam di Laut, Asam di Gunung, bertemu di Belanga' Salt in the Sea, Acid on the Mountain meets in a one pot by translating these sonic frequencies to visual form. What it means is that no matter how far or different, two lovers would eventually meet at the one place at the right time. For me, that is the metaphor of harmony between two different elements. The work was presented at ARTJOG MMXIX 'Arts in Common Common Space' and the message was that humans need to be more sensitive to the signs given by nature. Only then can we have a harmonious relationship. Etza Meisyara, 'Garam di Laut, Asam di Gunung, bertemu di Belanga', 2019, installation view at 'Arts in Common Common Space', Jogjakarta National Museum, Indonesia. Image courtesy of ARTJOG. Could you share your favourite art space or gallery in Indonesia? Why are you drawn to that space and what does it offer to you/ your practice?My favourite galleries are mostly in Yogyakarta. Cemeti Art Space focuses on art exhibitions and projects both by Indonesian and foreign artists; while Ruang MES56 supports experimental approaches to visual arts in Indonesia. Both spaces help expand the networks of Southeast Asian contemporary artists through their residency programmes. What are your hopes for your own local art scene, and regionally as well?Speaking about the contemporary art scene in Indonesia, it cannot be understated that Bandung, Jakarta and Yogyakarta are each distinct in their characteristics. Different habits, environments and cultures greatly affect the artistic style and disposition in each city. Having experienced all three, I must say that they have influenced my outlook. In Indonesia, we have a motto "Bhinneka Tungal Ika". The Old Javanese phrase translates to mean "unity in diversity" or "oneness, out of many''. I think itâs still important to retain diversity and authenticity, even as artists compete with each other. Even though Indonesia now has Museum MACAN, its first international modern and contemporary art museum, in Jakarta. There's still room for improvement in terms of documentation and public awareness of contemporary art in the country. We need more public institutions as well as print and digital publications to increase accessibility. This is such that the subsequent generations will be able to learn and perhaps even envision the possibility of becoming artists themselves.
